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Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Maxwirsing 04

Momoyo Kaijima

Paolina Borghese in glass, red wax and resin. Image © Andrea Avezzù, courtesy of La Biennale di Venezia.

Drawing by John Holden

Unit plan and elevation.

Drawing by Caitlin Baiada

Site model

model 1

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Panel by Shreya Shah

Liz Galvez

Detail axonometric by Rachel Gamble Boyd.

Section, Ena de Silva House. 1963. Ink on tracing paper, 98.9 x 76.1 cm. Drawn by Laki Senanayake. © Geoffrey Bawa and Lunuganga Trusts

Spanish Pavilion 2016 Venice Architecture Biennale

Perspective view

Physical model by Evan Sale.

Curepenabad 5

rendering

Dreamer Institute Rendering

Miami Art Deco

Elevation drawings

Du xuefeng 5

Team d page 15

Section model by Timon Covelli.

Cover of Perspecta 45: Agency

Sangji Han

Sverrisdottir bonna 1

Project by Seth Thompson

Francesco Casetti

Drawing & Architectural Form

Independence / Dependence

1 bldg final perspective front 12 (1)

axonometric drawing

Davis 7

Image of Blair Kamin.