Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Cover of Fall 2017 Constructs

Gulf of Maine map

Photograph, St. Thomas Preparatory School. 1952–1958. Photographic print, 29.2 x 14 cm. Photographed by Geoffrey Bawa. © Geoffrey Bawa and Lunuganga Trusts

Drawing by 2016 BP team E

Elements of Care and Production

Tree in Charleston

Lopez araceli image 1

Wolf Prix and Robert A.M. Stern

Boy-Built Houses (1927). Whereas girls were trained to participate in the informal sphere of unwaged domestic production, boys were trained to approach the home as a “house”. The house would need to be built, maintained, appraised and purchased, and these were the ways that the boy trained to relate.

Drawing by Tess McNamara

Plan drawing

Group e page 08

2025 01 30 11 22 12 work underway to create the first global data platform for drought resilience

rendering

Postcard view of Palace Amusements, looking west, with the Carousel House in the foreground and the Roundabout and Observatory behind it; Wesley Lake is at left. Source: Lisa Lamb, Side o’ Lamb: Urban Exploration at the Jersey Shore Home Page, http://www.side-o-lamb.com/PC_Palace_from_Asbury_Ave.jpg (accessed April 1, 2005).

A black and white aerial view of the greenbelt in Maryland.

Jean Pierre Crousse

10 instagram yue zeng

Aimg 3737

Dsc00986 enhanced nr

Brooklyn Academy of Music, Strong Theater

6 postscript

Image of the "Social Construction" gallery talk.

Oblique section by Samantha Monge Kaser.

Drawing by Alexis Hyman.

Core 4 Project

model and rendering

Section drawing

Students putting poster on telephone pole

The Schermerhorn

Retrospecta 1

Rendered image revealing the location of the Skies of Ejabah Development northeast of the Holy Mosque. Other developments in the render such as the Rou’a Al Haramein and Abraj Al Bait complex.

Hermona Tamrat

perspective

View of plaza

Drawing by Dante Furioso and Luke Anderson