Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

New Zealand ostriches

in sync exhibition

Aerial view by Margaret Marsh.

installation

Schematic drawing for Inflata-box.

Model by Christian Golden

gropius house dining room

section drawing

Grid of daily activities.

collage by Caroline Kraska

Drawing by Garrett Hardee

section perspective

column drawings

Bp23 tong hsu brandon lim (21)

View of exhibition "NOW: Year End Show of Student Work"

chair

Students in Brazil

Great Island House

Collage of Holy Mosque and expansions surrounding it. Far left shows the construction work taking place on the King Abdullah expansion of the Holy mosque from the roof. Center shows the Abraj Al Bait Clock tower. Right reveals other hotel complexes including the Jabal Omar Development. Images and Collage by author. January 2019.

Operá Waitaká by Leo Serrano Fuchs

Home/Work Displacements Jane Rendell

Lopez araceli image 9

Museum of Independence, Dhaka

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Rendered image revealing the location of the Skies of Ejabah Development northeast of the Holy Mosque. Other developments in the render such as the Rou’a Al Haramein and Abraj Al Bait complex.

table of models

Book by Alexandra Thompson.

Chris T. Cornelius

Alexolivier 10

House in the Hills

Installation by Zelig Fok and Liwei Wang.

Enrollment: 220, 84% receive financial aid

Book by Alexandra Thompson.