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Constructs Spring 2025
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AJ Artemel, Manuel Miranda
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Civita di Bagnoregio 2024
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Norma Barbacci, Grace Chan, Jess Chen, Grace Dube, Natalie Fox, Nicholas Arvanitis, Grace Chan, Anthony Costa Heywood, Natalie Fox, Norma Barbacci, Basel Hussein, Blake Harris, Brian Stanton, Luca Costantini
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What about Learning?
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Deborah Saunt, Saba Salekfard, David Grant
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Conscious Community
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Chris Cornelius, Rodney Leon, Abeer Seikaly, Nina Rappaport, Stav Dror
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Constructs Fall 2024
Constructs
AJ Artemel, Manuel Miranda
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Retrospecta 47
Retrospecta
Krista Lebovitz, Tony Salem Musleh, Ugen Yonten, Zicheng (Roy) Zhang, Katie Johnson, Jeewon Kim
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Perspecta
Guillermo Acosta Navarrete , Gabriel Gutierrez Huerta, Mike Tully, Cat Wentworth
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Constructs Spring 2024
Constructs
AJ Artemel, Manuel Miranda
Constructs Spring '24 Yale Architecture
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Nnenna Lynch, Hana Kassem, James von Klemperer, Andrei Harwell, Nina Rappaport
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Constructs Fall 2023
Constructs
AJ Artemel, Manuel Miranda
Constructs Fall 2023
Retrospecta 46
Retrospecta
Lingfung Grace Chan, Jessica Chen, Stormy Hall, Blue Jo, Davy Dai, Orlando Porras
Retrospecta 46
Civita di Bagnoregio 2023
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Norma Barbacci, Erin Bascom, Grace Brooks, Barbara Nasila, Kevin Yang, Tong Hsu, Kevin Yang, Erin Bascom, Luca Costantini
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Publications

Perspecta 36

Cover of Perspecta 36

ISBN
0262633035
Published
2005 MIT Press
Editor
Macky McCleary
Jennifer Silbert
Designer
Min Choi
Sulki Choi

Purchase $ Perspecta 36 at MIT Press

This 36th volume of Perspecta begins with the assumption that association is a tool of creativity and analysis. The axiomatic modernist oppositions of macro/micro, literal/phenomenal, nature/industry, either/or, and both/and have evolved from an argumentative tool into a narrative method.Juxtapositions create conflict. “Juxtapositions” attempts to reclaim the breadth, scope, and relevance of the early volumes of Perspecta through meaningful juxtapositions—what might be termed poignant adjacency. Thus a critique of studio education is deepened by its adjacency to discussions of technology and urbanism, to visual art, to old modernism, to balkanization and globalization, to film, to fear of war, and to the annihilation and creation of cities. The juxtapositions (graphic and ideological) in the volume, although created with editorial consideration, seek to evade and subvert that consideration in favor of unforeseen overlap. This is meant as a provocation—not intentless, but ultimately intent-proof, a landscape upon which the unexpected can occur.

Contents

Peggy Deamer—"First Year: The Fictions of Studio Design"

Evelyn Preuss—"The Wall You Will Never Know"

William McDonough—"Recovery/Reclamation"

Roger Connah—"Pulp Architecture"

Marjetica Potrc—"Caracas Case Study: The Culture of the Informal City"

Neil Denari—"Wet vs. Dry: The Chess/Go Project"

Sandy Isenstadt—"Modern in the Middle"

Saskia Sassen—"The City: Localizations of the Global"

“2nd Place: Design Competitions”

Leslie Lu—"The Asian Arcades Project: Progressive Porosity"

Alexander Garvin—"Ground Zero: The Rebuilding of a City"

“The Question Concerning Technology: The Rise of Fall of CTEK”

Joy Garnett—"Crash"

Joy Garnett—"Ex Trails"

Marc C. Taylor—"Correspondence"

Zvi Hecker, Rafi Segal and Eyal Weizman—"Correspondence"

Michael Wesely and Lina Kim—"Brasilia"

James Polshek and Richard Olcott—"Sign, Symbol and the Presidential Library"

C.J. Kang—"The Manhattan Project"