Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Film still from A Marvellous Entanglement

Peter Eisenman

Pezo von Ellrichshausen, ECHO pavilion

Core I Studio Project

Constructs Fall 2023

Tianyi Hang Beside Yingzao Cover Image 2022 - Graphic by Charis Armstrong

East Elevation: Thomas Beeby, Tri-State Center, Northbrook, Ill., 1979.

Fall 2019 3

Diagram by Christine Tran.

Students assembling Homeless Housed pavilion

Labslayout 250108

6 denise las vegas nolli

Oskar Hansen: Open Form exhibition at YSOA (2016)

Series of models

Caroline Bos

Alvaro Hoppe, Untitled, September 12, 1973. Santiago. Photographer Personal Collection.

perspective

Plan drawings by Tara Marchelewicz.

Sydney Opera House under construction in 1966, Baudin Hornibrook

2015 building project exterior

model

Jiaming gu 2

Pages from group c final 2

elevation

collage by Caroline Kraska

Exploded axonometric drawing by Liwei Wang.

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Yale Architecture alumni event

Area B

Model by Timon Covelli

Drawing by John Holden