Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Section part VI

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Dem 9664

Rendering of shed.

model

Drawing by Meghan Lewis

Philosophical object by Gentley Smith.

skyscraper section drawing

Review

Pasadena Art Institute, “Art in War Training: June 3 to June 30, 1943” [Exhibition Pamphlet];; Pasadena Art Institute Archive; Norton Simon Museum, Pasadena, C.A.

Drawing by Evan Sale.

Chaise Lounge

6 studio plotters

Drawing by Dylan Lee

Jessica Zhou Venetian Gowanus GIF

Axonometric drawing by Ethan Zisson.

Audrey Tseng Fischer

Ap.wc.rock reclining 05 15x22 copy

Image of the lecture by Assemble Studio on November 2, 2017.

intergenerationality Calvin Liang

The Path

Civita4

Cara Liberatore

Niall McLaughlin studio trip in London

Adepegba ife 1

The Schermerhorn

A 3

Shuchen dong intersectionaltheater3

Poster for talk by David Gissen

survey responses by class and gender chart

New York City 2012

Confluence Park in San Antonio, TX

Perspecta 56

Matt Roman

Rendering by Paul Lorenz.