Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Drawing by Andrew Padron and James Schwartz

Nolte louisa8

Model

Paul Rudolph Hall Stairwell

Zwiebel sasha2

Cross section taken through the clock tower, plaza, and Holy Mosque revealing the Kaaba. The stepped building on the right represents the new extension of the mosque. Sketch reveals scale difference, with Kaaba almost completely dwarfed in relation to the tower. Original section and images obtained from AA Jeddah program in 2014. Rendered section by author.

6 room 602

perspective

Sarah Elizabeth Lewis by S. Rosner

`Map_18. “Network Cities” of the North Sea. Platforms, pipelines and oilfields. Maps created by Neyran Turan. Data compiled from Oilfield Publications Limited, The North Sea Oil and Gas Activity and Concession Map, (Ledbury, Herefordshire, England: Oilfield Publications Limited, 2003), Map Collection, Yale University Library.

Imgp2238

Drawing by Jeremy Leonard, Gordon Schissler, and Madison Sembler.

Team d page 21

section

Drawing from the Zaha Hadid/Patrik Schumacher studio

Bulletins

Spring 2017 Yale Architecture Event Poster

Cover of Urban Intersections: Sao Paulo

Kenneth Browne, Interior of the Europa Terminal, Heathrow Airport. Architectural Review, July 1955.

axonometric drawings

Design research roundtable poster

Image of the lecture given by Emre Arolat and Gonca Pasolar.

Moriyama House

Photograph, St. Thomas Preparatory School. 1952–1958. Photographic print, 29.2 x 14 cm. Photographed by Geoffrey Bawa. © Geoffrey Bawa and Lunuganga Trusts

Kipp Bradford

Rossi: A Reassessment event poster

81flyhzful. sl1500

M 297 none

perspective

Dem 9684

Reflected Ceiling by ABA

"never look empty, never feel full." Source: Terrence Riley, ed. The changing of the avant-garde : visionary architectural drawings from the Howard Gilman collection, (New York: Museum of Modern Art, 2002), 173.