Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Night render from Skies of Ejabah Towers of people overlooking the central district of Mecca. The Abraj Al Bait tower is revealed in a distance. Images courtesy of Gensler Website.

Image of the 2017 Jim Vlock Building Project open house.

2003 fatma neyran turan image 01

Retrospecta 5

02 section model conjunto with tod williams, billie tsien, and andrew benner

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Owen wang4

John Fairburn's Plan of Westminster and London 1801 shows the West India Docks at the north end of the Isle of Dogs. The rest of the peninsula is rendered as a marshy area with few roads and a ferry at the southernmost tip.

Shared Community Space: Daytime

View of exhibition "The Drawing Show"

Michael Marshall

Anika Singh Lemar speaking to Equality in Design.

Drawing by 2016 BP team A

F21 1101 ghshhe kimj vehicles diagram

collage

Drawing by Christian Golden

Team b final presentation page 19

drawing

Installation view of A Retrospective on Ten Years of Practice in Eastern Contexts

Plan drawing by Laura Quan.

Santa caterina © roland halbe

Area plan

Drawing by 2016 BP Team B

canopy

Elaine cui10

Drawing by Isaac Southard

Perspective views of lower Lowell

Mulder rachel final exhibition6

Aerial view of port.

03 site model learning from puira sandra barclay, jean pierre crousse, and andrew benner

perspective