Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Antonia Devine

model

John Jacobson

plan diagram

Drawing by 2016 BP team D

Clare fentress connecticut hospice entrance 2020

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Clouds Bubbles and Waves graphic (four circles of different sizes)

Rouse House Perspective, North Haven, CT, 1952-1953, Yale University, Manuscripts and Archives, King-Lui Wu Papers

FAT studio trip to London

Screen shot 2017 11 09 at 5.07.35 pm

Team b final presentation page 20

Image: The Funambulist

Exterior view

Dem 9645

COASTAL ASSEMBLAGE: TOWARDS A PRACTICE OF ADAPTATION

Francois Dallegret

section

Eva Franch and Joyce Hsiang

Salk Center

Martin Finio

model

Detail view of screen component.

Oskar Hansen: Open Form exhibition at YSOA (2016)

Jung hyun jae 07

Cover of Perspecta 40

Hengyuan yang 6

Cover of Constructs Spring 2005

3 (1)

Unit plan and elevation.

Study models by Andrew Busmire.

Portada 1 assinie mafia church koffi diabaté architectes

section drawing

Chitubox plat&all

Alberto Veiga 2019 © Tina Ruisinger