Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Hand drawing

Yale Women in Architecture meeting

Model by Winny Tan

Elia Zenghelis

Land Use Plan for the year 2030

Perspective view.

Leon Krier advanced studio travel to Athens

Sections

Mulder rachel final exhibition9

mural

Breaking ground soil sisters and som pioneer green architectural innovation 1

plan

05 school section rendering learning from puira sandra barclay, jean pierre crousse, and andrew benner

Drawing by 2016 BP Team B

Wealth and poverty in Miami Beach

A ‘spider web’ diagram – one of the visualization techniques used in the HEKO tool. Source: Nikkanen et al. 2011

drawings

Seed Vault

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Image of the Zeynep Çelik Alexander lecture

10 triptych axonometric

Model of a formal garden by Jamie Edindjiklian.

Cover of Constructs Fall 2010

Shuang chen 10

driveway rendering

Anjiang Xu drawing

The Stair Times Alex Mingda Zhang

In We Trust

Romeo and Juliet by Stanley Tigerman

perspective

Site model

Drawing by Richard Green.