Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Fig. 2.12: Gray’s School of Botany. Fig. 2.13, Gray’s School of Botany. Fig. 2.14, System, Plate 5, Sullivan. Fig. 2.15: System, Plate 3 Detail, Sullivan. Fig., 3.1: Hagia Sophia, Istanbul (532‐537 C.E.), Building Section.

perspective

Youngstudio 1

Composite image showing Paris skyline and two modern opera houses

shelf

Speaking into Being: Beyond Asian Silence

Justin Garrett Moore Lecture

cover of Machine Learning book

Integration duo

Model by Audrey Yifei Li.

Book spread from Spaces of Disappearance

Ornament by Kent Bloomer

Cover of Perspecta 18

Team d page 12

Florencia Pita

Corridor Library

Two Sides of the Border at the Yale School of Architecture

Image of a life drawing course

Nina Rappaport

Schwarzman Center commons

Drawing by Alexis Hyman

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Axonometric drawing by Margaret Marsh.

FAT studio trip to London

Model by Matthew Bohne

Final model by John Holden.

Site plan by Liwei Wang.

Drawing from the Zaha Hadid/Patrik Schumacher studio

Temporary Opera House

Model by Isaac Southard

The Install

Drawing by Brian Cash and Jacob Schaffert

Jill Siegel