Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Summer visualization 2017 final review.

Ng, naomi7

DSDHA, West End Public Realm proposal

perspective

Environmental Awareness Center

Two Sides of the Border header

Z House by Light and Air Architecture

Gao yangwei 05

Doreen Adengo

Model

Dock at Governors Island, New York

section

ELM technical diagrams

Aerial view by Heather Bizon.

Two parties two directions by Casey Furman.

Hu liang 4

Peggy Deamer House

Ratajczak nicole 6

The Smith/Plattus studio

Walkway in Sao Paulo

Physical model by Daniel Glick-Unterman.

Drawing by Gina Cannistra

Oskar Hansen: Open Form exhibition at YSOA (2016)

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Image of the lecture by Assemble Studio on November 2, 2017.

material

New Zealand by Aary Lee

Bait Ur Rouf Mosque by Marina Tabassum Architects. Photograph by Hasan Saifuddin Chandan.

Courtyard rendering

Bucklee3

Cover of Perspecta 1

Customers can use gesture to simulate draping effects using virtual fitting room, Clo.

Model by Jack Lipson