Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Otl Aicher, Official Munich Olympic color palette demonstrated on the Games’ mascot, Waldi the Dachshund, 1968.

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Rendering by Paul Lorenz.

Gao yangwei 06

View of aqueduct system.

Cover of Constructs Spring 2005

Peggy Deamer House

Section model of the Clyfford Still Museum

Kevin Roche

Group a page 19

Hu liang 8

drawing by Audrey Hughes

Robert Haughney

Lam.hiuki9

Izzy Kornblatt

model

20190218 astrid eckert

Storefront Library by ABA

Drawing by Carroll and Muydinov

Model view.

Rendering by Ryan Hughes.

Postcard view of Palace Amusements, looking west, with the Carousel House in the foreground and the Roundabout and Observatory behind it; Wesley Lake is at left. Source: Lisa Lamb, Side o’ Lamb: Urban Exploration at the Jersey Shore Home Page, http://www.side-o-lamb.com/PC_Palace_from_Asbury_Ave.jpg (accessed April 1, 2005).

Poster for Transit point: Mitteleuropa

Studio Lynn trip to Italy

Drawing by Jared Abraham

Photograph, St. Thomas Preparatory School. 1952–1958. Photographic print, 29.2 x 14 cm. Photographed by Geoffrey Bawa. © Geoffrey Bawa and Lunuganga Trusts

Cover of Architecture Inserted

A Backstage Village for Palazzolo Acreide

Gulf of Maine map

Arriving at the third floor unit of the 2019 Jim Vlock First Year Building Project

Vertical Cities exhibition

Lopez araceli image 2

Drawing by Aymar Marino-Maza

Perspective view by Nadeen Safa and Aslan Taheri.