Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Leon Krier advanced studio travel to Athens

shelf

Book by Kristin Nothwehr

Song christine page 08

Studio Prix trip to Lyon and Vienna

section perspective

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Collapsed Landscapes by Erin Bascom

Interior rendering by Spencer Fried.

Drawing by Andrew Busmire.

Pappalardo 4

Drawing by Ching, Pineda Jongeward, and Thompson

Pic hm 03

Environmental Awareness Center

210517 eoy exhib 05

Berghaus 190053/5

Section, Ena de Silva House. 1963. Ink on tracing paper, 98.9 x 76.1 cm. Drawn by Laki Senanayake. © Geoffrey Bawa and Lunuganga Trusts

Artificial Forest exhibition view

7 studio plotters

Thompson ben 5

Cover of Perspecta 47: Money

Cover of Constructs Spring 2011

Detail 1

Exhibition Graphic

Leyi zhang year end exhibition1

axonometric

Brooklyn Academy of Music, Strong Theater

Bp23 tong hsu brandon lim (10)

Social Construction exhibition

Jafari niema 3

Vertical Cities exhibition

Sketchbook Pages

Interior perspective by Margaret Marsh.

Dolores Hayden