Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Panel by Maxwell Mensching

Spring 2020 Events Poster

New Haven Clock Factory installation

opera house

Shuang chen 5

Plan drawings from reVEIL exhibition

The Path

Amber Wiley

Drawing by 2016 BP team D

Poster for Redevelopment reception

orange pushpin on pinup board

2003 simone brott image 02

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Ornament and Ecology event poster

Next Generation Tourism Masterplan

Pages from group c final 3 page 04

Arolat schwartz 3

Phoebe Mankiewicz

06 workshop model learning from puira sandra barclay, jean pierre crousse, and andrew benner

Cover of Constructs Spring 2006

Concrete swatch in a Louis Kahn building.

Jafari niema 5

Drawing by Alexandra Karlsson-Napp

Drawing by Christopher Leung

Paul Rudolph Hall and Loria at Yale

Envision Resilience Nantucket

Lina Bo Bardi—A Marvellous Entanglement at Yale School of Architecture

model

Drawings by Michael Harrison

Interactive fitting rooms at Ralph Lauren render highly efficient the experience of finding and trying on clothing, while reducing its haptic and social aspects.