Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Drawing by 2016 BP team F

Installation view of A Retrospective on Ten Years of Practice in Eastern Contexts

in sync exhibition

Ywa families and practice panel poster bw

Corridor Library

Shuchen dong residenceasapolysemousboundary2

rendering of houses

concrete prototype

Drawing by Claire Haugh

Michael Dodson and Constance Spencer

Conscious Communities cover

Anibal Bellomio

model

Site model by Iven Peh.

81rlqbne33l. sl1500

Landscape section through Lowell Bowl

Group h page 29

Perspective by Dylan Weiser.

Plan drawing by Xiaomeng Li.

Cover of Rethinking Chongqing

Aureli Advanced Studio travel to San Francisco

View toward living room

Rk liu yearendexhibition2

collage

Reframing Brazil exhibition

Geoffrey Bawa installation

Frihamnen Sauna

Julie Eizenberg lecture

Spring 2019 cover

Material Light::Light Material panel discussion.

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Michelle Addington hugged by Deborah Berke.

Poster for Peter Eisenman's Brown Bag Lunch Series, Fall '17.

Axonometric drawing by Margaret Marsh.