Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Ornament by Kent Bloomer

Site diagram

Abeer Seikaly

Image of the "Social Construction" gallery talk.

campus plan

3 bldg final plan level 1 12.2.23

Drawing by Luis Salas Porras

Group photo with Deborah Berke

model

Drawing by Bourgoin, Fenaux, and Oh

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Michelle Fornabai

Jafari niema 1

The photo of the neighborhood shop.

Jerome Tryon

Event poster

Szivoscass3 seeds

Szivoscass2 seeds

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

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Elevation: Thomas Beeby, The House that Virgil Built in Anticipation of the Return of the Golden Age, Richard Grey Gallery, Chicago, Ill., 1976.

Detail 2

The interior of Den Permanente in 1981 (Source: Dansk Kunsthåndværk og Kunstindustri 1931-1981)

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Elia Zenghelis

Neighborhood plan.

Constructs Fall 2023

Stanley Tigerman, Instant City

Retrofuturisms

Perspective of park.

Detail of “Close Combat Course”; Sketch to Accompany Inclosure 2 in 353.01/61–GnGTC (2-4-43); H.Q. A.G.F. to all Commanding Generals (February, 4 1943) “Subject: Special Battle Courses”; Training Directives; Background Files: “Military Training in WWII” 1939-1945; Record Group 319, National Archives Building, College Park, M.D.

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Wolf Prix

Installation views of *Materialized Space: The Architecture of Paul Rudolph*, on view September 30, 2024–March 16, 2025, at the Metropolitan Museum of Art. Photos by Eileen Travell, courtesy of the Metropolitan Museum of Art