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Pavilion for seeds designed during David Moon’s Core I Studio. Matthew Liu, my desk mate.
Group work for Core II’s monster model. A fragment of Team F’s BP proposal. Katie Lau topping off the site model.
An exhibition pavilion for Columbus House, co-coordinated with Camille Chabrol. Shingling the front façade of the 2018 BP House with Helen Farley.
A façade in the style of Jože Plečnik for Bob Stern’s Parallels of the Modern. The space frame for a restorative justice center in Annie Barrett’s Core III studio.
A screen grab from my, Camille Chabrol’s, and Thomas Mahon’s video for Urban Studio with Alicia Imperiale. A collage by Thomas Mahon of a crowded Marx Brothers Playground for that same studio project. Typesetting by Tania Alvarez Zaldivar and Zackery Robbins for Paprika! Vol. 4 Issue 17 “Ends of Architecture,” edited with Camille Chabrol and Martin Man.
Massing models for the dreamer institute designed with Michelle Badr, Camille Chabrol, Alex Pineda Jongeward, and Jerome Tryon; with Sunil Bald as design director. Final boards for Gothenburg Summer Program with Miriam Dreiblatt, Manasi Punde, and Thomas Mahon.
Overcoming OMA’s Mission Grand Axe for Elisa Iturbe’s Overcoming Carbon Form seminar. A lamp, tape dispenser and pepper mill for John Jacobsen’s Product Design Seminar. A render from my and Adam Feldman’s project for Teddy Cruz and Fonna Forman’s Advanced Studio. The ten folds and two bulletins published for Paprika! with my fellow coordinating editors Camille Chabrol, Helen Farley, and Michael Glassman.
A food co-op designed within a set of ruins in Salvador Brazil as part of Norma Barbacci and Sunil Bald’s Advanced Studio. A book of 256 images for Luke Bulman’s Books and Architecture seminar. Paprika! Vol. 5 Issue 18 “Out of Work // Out of Control,” edited with Andrew Economos Miller, designed by Anna Sagström, Mianwei Wang, and Anezka Minarikova.
Thanks to all the moms and Vlads supporting their children through their master’s degrees. Thanks to all the friends and teachers who’ve helped make this work feel like it’s done as part of a community.