It has been over thirty years since the seminal MOMA exhibition of 1988, titled Deconstructivism. This panjandrum of a word combined two different architectural ideas, Russian constructivism and philosophical deconstruction. What was not considered at the time was the profound effect the exhibition would have on the then current hegemony of Postmodernism in architectural thought. In fact, the exhibition all but brought to an end the dominating effects that Postmodernism had on architecture. Today, enough time has passed so that the causes and effects of that exhibition can be fairly judged. This is especially true not only of its effects at the time, but importantly today in its effects on a parallel discourse, Decoloniality, which must be examined.