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August 28, 2025

The Art of Architectural Grafting

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Lectures
August 28
6:30 PM
6:30 PM

Jeanne Gang
The Art of Architectural Grafting

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Hosted by the Yale Center for British Art
September 3
1 PM
1 PM

Lord Norman Foster and Dean Deborah Berke
Architects in Conversation: To Build for Art

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Lectures
September 4
6:30 PM
6:30 PM

Takaharu Tezuka and Yui Tezuka
Architecture for Sharing

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September 18
6:30 PM
6:30 PM

Francisca Rivero-Lake Cortina and Carla Verea Hernández
Paparazza Moderna: Lovers and Frenemies, 1922–1967 / 2011–2025

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September 25
6:30 PM
6:30 PM

Sandra Barclay and Jean Pierre Crousse
Permanence and Instability

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October 30 – October 31
12 PM
12 PM

Criticism in the New Commons

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October 30
12 PM
12 PM

Virtual Open House for Prospective Students

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Brendan Gill Memorial Lecture
October 30
6:30 PM
6:30 PM

Hal Foster
Utopia or Extinction

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Criticism in the New Commons Symposium
October 31
6:30 PM
6:30 PM

Panel on Architecture Criticism

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Gordon H. Smith Lecture in Practical Architecture
November 6
6:30 PM
6:30 PM

Patrick Bellew
Anthills to Labyrinths: Engineering Sustainable Architecture

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November 13
6:30 PM
6:30 PM

Amin Taha
The Measure of Architecture

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Lectures
November 20
6:30 PM
6:30 PM

David Sadighian
Crisis Classicism

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Yale Architecture Forum

Enrique Ramírez

Iceblink Space: Photography, Architecture, and International Law in the Circumpolar North

Alfred Lee Broadbent, “Glacier in Disappointment Bay — Neat Mt. St. Elias,” ca. 1895. Photograph Albums of the United States Revenue-Cutter Service in Alaska and Siberia. Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library.

This talk focuses on a book of photographs taken by Alfred Lee Broadbent, an Assistant Engineer aboard the United States Revenue Cutters Bear and Thomas Corwin on patrol in Alaska and Siberia from 1885 to 1892. Broadbent was not a professional photographer, and yet his images reveal a documentarian’s purview, a panoramic glimpse at the diverse peoples, flora, fauna, as well as the landscapes and buildings of the Bering Strait Region. These photographs, however, revealed a part of the world whose legal status was in flux—literally. Ice, a medium that could be elusive and fugitive, that melted, drifted, formed, and reformed, elided distinctions between competing legal traditions in the Circumpolar North: terrestrial legal norms clashed with the customary international law of the sea, which were was at odds with the ways that Iñupiaq, Siberian Yupik and Central Yup’ik peoples imagined and used this realm. Along with the media of ice and photography, ships also contributed to this fragmented and blurred understanding of territory in this region. Used as mobile courthouses, ships like the USRC Bear and Thomas Corwin were at the forefront of an expanded understanding of the relation between buildings and land. Whether as instruments of colonialist agendas or techniques for extralegal claims on territory, the use of such vessels was an instance where architectural thinking entered the modern international legal arena. 

Enrique Ramirez is the Frances and Gilbert P. Schafer Visiting Professor of Architecture at the Taubman College of Architecture and Urban Planning at the University of Michigan. His work considers histories of buildings, environments, and landscapes alongside larger cultures of textual, literary, and object production in Europe and the Americas from the Renaissance onwards. He received a BA in History from Northwestern University and his JD in Public and Private International law from the George Washington University Law School. After studying Urban Planning at University of California, Los Angeles (UCLA), he received a Master of Environmental Design from Yale School of Architecture and a PhD in the History and Theory of Architecture from Princeton University, where he was a Whiting Scholar. His work has been recognized and supported by various organizations, including the Canadian Centre for Architecture, the Institute for Historical Studies at the University of Texas at Austin, and most recently, the Graham Foundation for Advanced Studies in the Fine Arts.

Date

Tuesday, March 26, 2024
6:30 PM

Location

Smith Conference Room (322)